Adelaide Biennial of Australian Art

• Dates: March 4 – June 5
• Title: Free/State
• Curator: Sebastian Goldspink. A proud descendant of the Burramattagal people of Western Sydney, Sebastian Goldspink is an independent curator and creative producer at the National Art School, and founder of ALASKA Projects. Goldspink has curated exhibitions nationally throughout Australia and internationally in London, Los Angeles, New Orleans and Christchurch.

About the 2022 Adelaide Biennial of Australian Art

Free/State assembles a group of artists who are fearless; the provocateurs, vanguards and outsiders – challenging histories and art forms, and in the process, offering reflections on an era of multi-faceted global upheaval. The exhibition explores ideas of transcending states, from the spiritual and artistic to the psychological, and embraces notions of freedom in expression, creation and collaboration.

Delivering new and unexpected visions of transformative personal and public moments, in mediums spanning photography, painting, sculpture, installation and the moving image, Free/State presents a multi-generational collective of artists hailing from every Australian state and territory.

As curator Sebastian Goldspink explains, ‘Each of these artists is emblematic of the many divergent facets of contemporary Australian art. Diversity is embraced and celebrated in Free/State and the exhibition is reflective of a nation still in the throes of grappling with its past and defining its future.'

Artists
Abdul-Rahman Abdullah (WA), Serena Bonson (NT), Mitch Cairns (NSW), Dean Cross (NSW), Shaun Gladwell (VIC), Dennis Golding (NSW), Loren Kronemyer (TAS), Laith McGregor (NSW), Kate Mitchell (QLD), Tracey Moffatt (NSW), Stanislava Pinchuk (VIC), Tom Polo (NSW), JD Reforma (NSW), Reko Rennie (VIC), Julie Rrap (NSW), Kate Scardifield (NSW), Darren Sylvester (VIC), Jelena Telecki (NSW), Rhoda Tjitayi (SA), James Tylor & Rebecca Selleck (ACT), Angela & Hossein Valamanesh (SA), Sera Waters (SA) and Min Wong (NSW).

Presented in association with the Adelaide Festival, and with generous support received from the Art Gallery of South Australia Biennial Ambassadors Program and Principal Donor The Balnaves Foundation

This project has been assisted by the Australian Government through the Australia Council, its arts funding and advisory body and by the Visual Arts and Craft Strategy, an initiative of the Australian, State and Territory Governments

With thanks also to Exhibition Partners Copyright Agency, Yalumba and Jansz, and the City of Adelaide

For more information, please, visit www.agsa.sa.gov.au