Christina Li

Christina Li (b. 1982) is a curator and writer based in Hong Kong. She has worked in various curatorial capacities in institutions across Asia and Europe such as Para Site, Hong Kong (2006-08), SKOR (Foundation Art in Public Space), Amsterdam (2009-10), and BAK, Utrecht (2011-12). Between 2015 and 2017, she was the director at Spring Workshop, Hong Kong, where she curated, among other commissions, A Collective Present: Tiffany Chung and Koki Tanaka (2017), and Wu Tsang: Duilian (2016).

She was artistic director of "Ghost2565: Live Without Dead Time", the 2nd edition of the triennial series of moving image and performance, Bangkok (2022). Her recent shows include Xinyi Cheng’s solo presentation "Seen Through Others", Lafayette Anticipations, Paris (2022); "Pilvi Takala: Close Watch", Pavilion of Finland at the 59th International Art Exhibition – La Biennale di Venezia (2022); "…pausing barely, barely pausing…", A Tale of A Tub, Rotterdam (2021); "Palms, Palms, Palms", Z33, Hasselt (2020); "Shirley Tse: Stakeholders", Hong Kong’s presence at the 58th International Art Exhibition of La Biennale di Venezia (2019) and "Shirley Tse: Stakes and Holders", M+, Hong Kong (2020), and the inaugural exhibition "Dismantling the Scaffold", at Tai Kwun Contemporary, Hong Kong (2018). She has worked with Big Tail Elephant, Heman Chong, Stephanie Comilang, Elmgreen & Dragset, Sung Hwan Kim, Lee Kit, Pak Sheung Chuen, Pratchaya Printhong, and YOUNG HAE CHANG HEAVY INDUSTRIES in her context-responsive projects.

Li's writing has been published in catalogues and other periodicals such as Artforum, Art Review Asia, LEAP, Parkett, Spike and Yishu Journal of Contemporary Art.

Christina Li, Independent Curator, Kowloon, Hong Kong, has been awarded by the Getty Foundation, Los Angeles.